Poems of My Ocean

You are an ocean

A girl whose depths I dive to

Down to the very bottom

If it costs me my life,

If it costs me my breaths

I continue to plunge

And feel my pulse from pressures

As the weight of the water

Collapses my lungs

With air in my chest

Like gold in sunken treasure

Falling fast and silent

Sinking calm and deep

In this ocean

Is there a bottom?

Where I can scatter

And settle with the sand

In this cool and quiet place

Forever down below

Away from land to be here

Comfortable and at peace

To call this place my home?

Your pale skin

Glows in the moonlight

A complexion

Soft and fair

Beautiful as you lie there

With open eyes inviting me

To an ocean you don’t know is there

And so I catch you unaware

As you grab me

Vulnerable and looking

Open hearted and wondering

Asking me why I stare

Because I Don’t Want to Write an Entire Novel… Another Collection of Prose I’ve Written

They sat at the dinner table. She brought her hands together saying, “Thank you.”

“Who are you thanking?” her older sister asked.

“No one. I’m just thankful.”

“Are you thanking God?” her father asked.

“No. I don’t know whom I’m thanking, and it doesn’t seem to matter. I’m just thankful, I’m thankful there is food when so many children are starving. I’m thankful I have a home, and I’m thankful I don’t have to sleep out in the cold at night. I’m just thankful.”

The rest of the family sat listening, chewing their food with their heads low to their plates, but with eyes up, unable to resist being curious about what she was saying.”

“Well you have to be thanking someone. It doesn’t make sense otherwise,” her sister retorted.

“Yes, it makes perfect sense!” I realize that for some unknown reason I have things that others don’t and I’m happy and grateful for it.”

“But that’s a prayer you said!”

“No it’s not! And even if it is, it’s still true!”

“That’s ridiculous!”

“And you’re stupid!”

He lied on the bed, at peace with doing nothing. During such moments it was important for him to find comfort in doing nothing, in doing nothing but being. For here he felt he had hit on one of the secrets of life: to be comfortable with doing nothing. This was not being lazy, far from it. Indeed, he had learned from watching people from the “baby boomer generation,” how hard it was to do nothing, and had come to feel that it was those people working constantly, unable to ever take a rest, and take time to enjoy being alive, unable to enjoy life itself; those people who thought to be hard working meant being virtuous that were truly lazy. To him these were the laziest of people for they were too lazy to stop and take in the pure essence of life; life with it’s good and bad, with its perplexity, and the existential anxiety that came with wondering about it all. Such people had busied themselves with the belief that existing meant doing and doing meant being. But all he ever learned from watching such people, with their incessant activity, was that their drive to stay busy was at heart nothing more than a determination to avoid some inevitable reality about life, and that they were merely trying to escape some unavoidable day when an individual is no longer physically fit enough to occupy his or her thoughts through labor; with the inevitable reality of being feeble, bed ridden, and stuck relatively handicapped with a whole world of doubt concerning the point of life, four cornering the space and time left to existence.

He thought about the optimism he had at that time concerning new beginnings. He wondered if he was wrong for having it then; he wondered if it was wrong to want it now; that he desired either the past or optimism itself, he did not know.

He felt buried by the present moment, and was uncertain what it meant. It involved feeling and being comfortable with the past, though it made him want to disappear from the present; it made him accepting of and happy that in the present he was able to be so at home, at piece with his memories and comfortable with the person he had come to be. He thought about this contradiction: loving one’s past from the present moment, loving the present because of it, but desiring to escape to the past nonetheless.

Doesn’t it bother you that you have to have sound all the time, that you can’t sleep without music? Shouldn’t it alarm you, or anyone, that you are unable to tolerate silence? What will happen when you’re older, or on your deathbed? Won’t silence catch up with you, chasing the very bones in your body as they begin to age and weaken? You’ll fight the silence with your body through tensions that make your muscles strain and your bones crack. You’ll claim to be upset over becoming old, but secretly you’ll come to love your decaying body because of the sounds emanating from them as they age, and you’ll pass away telling your self there was no other way. And you’ll die screaming in your head through a voice that no one will hear.

The endless distractions; a glass of tea here, a cigarette there; a nap, a walk, an endless stretch of daydreams; songs, food, drinks, TV shows, movies, idle talk, video games, gossip. The restlessness that gives way to movement, the movement that gives way to restlessness, and somewhere, floating between, a stillness that seems ephemeral, but only because one tries to hold on to it.

He lied in bed, on his side, with his arm by his face stretched over his head. From this angle he could see the pulse in the vein of his arm. He watched and began staring at it drearily. Soon he was thinking of her, focusing on the beat, the pulsation, Before long, the beat became her breathing; he watched and could feel her breath between kisses; he stared, and his pulse became the thrusts of his pelvis while making love; then the beat became the blink of her large beautiful eyes, opening and closing with the rhythm of her heart; staring back at him as if she was there. He watched his pulse and with every beat a memory of her would flash in his mind until it seemed she was his very blood, coursing through his body in torrents of red and blue.

Life Without an Image

How long can one go without staring into a mirror? It is said that the average person can survive up to thirty days without food, and seven days without water, but I venture to guess, that when it comes to going a period of time without looking at one’s self in the mirror, the average person can last a far less period of time.

Most people are aware that his or her sense of self is mediated through image. However, most people are likely unaware of how his or her sense of self is entirely mediated through and dominated by the image, that is the image of one’s self as it is presented to the world, i.e. how one “looks.” So many other qualities and characteristics do one justice, and yet the eyes, along with one’s image, dominate.

In classical psychoanalysis it is the eyes that a child both values and fears losing the most. Freud arrives at this understanding through an analysis of dreams, but also through an analysis of literature, specifically in his book, “The Uncanny,” where as a literary critic, he analyzes and assesses a story titled “The Sandman” by E.A. Hoffman, where a child fears losing his eyes to a nightmarish figure by the same name.

Years later the French psychoanalyst Jacques Lacan would expand on this topic and write a famous paper within, both the psychoanalytic and literary community, where he elaborates on what he calls ‘The Mirror Stage;’ a moment in the early life where a child sees and becomes aware of its own reflection in a mirror. For Lacan, this is a profound moment in the life of a child. It is at this point that a child experiences the full weight of what it means to exist, both internally, unto his or herself, and inevitably, as something external to which others are able to experience and interact with. Some have even interpreted Lacan to mean that a child has no sense of his or her self at all until this moment. Regardless, such a moment is troubling and exhilarating for a child; exhilarating because the child is able to interact with the world on a level that promises a degree of recognition, but troubling because a child realizes that it’s image can never do complete justice to the reality of the child and what he or she is feeling.

And yet, it is this later dimension to one’s image that often makes it appealing because it allows an individual to invest in one aspect of his or her self at the cost of ignoring another. This later aspect involves one’s inner feelings, which most people, whether they are willing to admit it or not, are not comfortable with. It is this same dimension that narcissists choose to run from.

Indeed, if one reads the myth of Narcissus, one realizes that the character falls in love with his image only, and not the entirety of his self. This an important distinction, one that allows for an explanation of a common misconception, that contrary to popular belief, narcissists do not love themselves. Instead, a narcissist’s love is focused on the image only at the cost of their feelings that stem from childhood that are too painful to confront. The investment in the image becomes a rejection of the inner world associated with feelings. These are points elaborated on by Erich Fromm, Alexander Lowen, and others.

Without going in to any more psychoanalytic theory, suffice it to say that one’s image is intimately connected with one’s psychological development. But the image does not simply involve the use of direct sight. It also means the idealized image that is kept in the back of one’s mind, often standing as the “measuring rod” or standard by which one judges one’s self, whether one is trying to be a good photographer, actor, musician, chef, dancer, writer, athlete, Buddhist, or yoga instructor. That is, even when one’s orientation toward the world is not dominated by the direct use of sight, one almost always carries some idealistic image in one’s mind derived from the people one admires, the people that one is trying to conform to, perhaps a famous actor, or photographer, an author one admires, or even a set of doctrines, principles, ideas, or beliefs.

As a yoga instructor, I am keenly aware that when students see me smoking a cigarette that I may not be in conformity with the expected yoga lifestyle (as if smoking or nor really has anything to do with yoga anyway). And as someone who practices meditation, in the back of my mind, I often find myself trying to adapt to the image of a meditator, or to an image of the Buddha. That is, if I can sit there quietly still and “looking the part” then I must be doing everything right. But it is far from true. Ironically, Buddhism has tried, more than any another religion to devalue and de-emphasize the importance of one’s image by wearing saffron robes and having shaved heads, precisely because of how much one’s identity is falsely invested in the image, and yet, Buddhism is one of the most easily recognizable religions because of it.

One of the things this makes clear is that the image will always be there no matter what, but there is a choice in how much one decides to invest in it. Of course, this does not mean it is wrong to care about “how one looks,” but it does mean that a person should be keen to what it is that really does justice to one’s self. It is often said that we both want to love and be loved because of who one is on the inside, and yet we hardly live up to this proclamation, and there are reasons for it.