Life Without an Image

How long can one go without staring into a mirror? It is said that the average person can survive up to thirty days without food, and seven days without water, but I venture to guess, that when it comes to going a period of time without looking at one’s self in the mirror, the average person can last a far less period of time.

Most people are aware that his or her sense of self is mediated through image. However, most people are likely unaware of how his or her sense of self is entirely mediated through and dominated by the image, that is the image of one’s self as it is presented to the world, i.e. how one “looks.” So many other qualities and characteristics do one justice, and yet the eyes, along with one’s image, dominate.

In classical psychoanalysis it is the eyes that a child both values and fears losing the most. Freud arrives at this understanding through an analysis of dreams, but also through an analysis of literature, specifically in his book, “The Uncanny,” where as a literary critic, he analyzes and assesses a story titled “The Sandman” by E.A. Hoffman, where a child fears losing his eyes to a nightmarish figure by the same name.

Years later the French psychoanalyst Jacques Lacan would expand on this topic and write a famous paper within, both the psychoanalytic and literary community, where he elaborates on what he calls ‘The Mirror Stage;’ a moment in the early life where a child sees and becomes aware of its own reflection in a mirror. For Lacan, this is a profound moment in the life of a child. It is at this point that a child experiences the full weight of what it means to exist, both internally, unto his or herself, and inevitably, as something external to which others are able to experience and interact with. Some have even interpreted Lacan to mean that a child has no sense of his or her self at all until this moment. Regardless, such a moment is troubling and exhilarating for a child; exhilarating because the child is able to interact with the world on a level that promises a degree of recognition, but troubling because a child realizes that it’s image can never do complete justice to the reality of the child and what he or she is feeling.

And yet, it is this later dimension to one’s image that often makes it appealing because it allows an individual to invest in one aspect of his or her self at the cost of ignoring another. This later aspect involves one’s inner feelings, which most people, whether they are willing to admit it or not, are not comfortable with. It is this same dimension that narcissists choose to run from.

Indeed, if one reads the myth of Narcissus, one realizes that the character falls in love with his image only, and not the entirety of his self. This an important distinction, one that allows for an explanation of a common misconception, that contrary to popular belief, narcissists do not love themselves. Instead, a narcissist’s love is focused on the image only at the cost of their feelings that stem from childhood that are too painful to confront. The investment in the image becomes a rejection of the inner world associated with feelings. These are points elaborated on by Erich Fromm, Alexander Lowen, and others.

Without going in to any more psychoanalytic theory, suffice it to say that one’s image is intimately connected with one’s psychological development. But the image does not simply involve the use of direct sight. It also means the idealized image that is kept in the back of one’s mind, often standing as the “measuring rod” or standard by which one judges one’s self, whether one is trying to be a good photographer, actor, musician, chef, dancer, writer, athlete, Buddhist, or yoga instructor. That is, even when one’s orientation toward the world is not dominated by the direct use of sight, one almost always carries some idealistic image in one’s mind derived from the people one admires, the people that one is trying to conform to, perhaps a famous actor, or photographer, an author one admires, or even a set of doctrines, principles, ideas, or beliefs.

As a yoga instructor, I am keenly aware that when students see me smoking a cigarette that I may not be in conformity with the expected yoga lifestyle (as if smoking or nor really has anything to do with yoga anyway). And as someone who practices meditation, in the back of my mind, I often find myself trying to adapt to the image of a meditator, or to an image of the Buddha. That is, if I can sit there quietly still and “looking the part” then I must be doing everything right. But it is far from true. Ironically, Buddhism has tried, more than any another religion to devalue and de-emphasize the importance of one’s image by wearing saffron robes and having shaved heads, precisely because of how much one’s identity is falsely invested in the image, and yet, Buddhism is one of the most easily recognizable religions because of it.

One of the things this makes clear is that the image will always be there no matter what, but there is a choice in how much one decides to invest in it. Of course, this does not mean it is wrong to care about “how one looks,” but it does mean that a person should be keen to what it is that really does justice to one’s self. It is often said that we both want to love and be loved because of who one is on the inside, and yet we hardly live up to this proclamation, and there are reasons for it.

A Portrait of My Grandparent’s

What I recall most about my grandparent’s house in North Buffalo is the smoky haze that seemed a permanent fixture of the surroundings, hovering around the furniture and carpet, floating amongst the pictures, even after my grandfather passed away, for it was him who smoked. My grandfather smoked incessantly. He smoked a brand of cigarettes called ‘Kings;’ a brand I’ve never seen since, even after taking up the habit myself, thus making me feel justified in the pleasure I feel from imagining they were made only for him.

My grandfather, or “Papa” as me and my siblings called him, would sit in his large dark leather chair in the far left corner of the room bathed in clouds of smoke. Next to him were the glass doors that led out to the second story porch. From where he sat, sunlight would shine through the doors to highlight and pierce the smoke in front of him, while the rest of him was just able to remain hidden from the path of the sun’s light. I can still recall approaching him for a dollar bill every time we left, a ritual that always made him smile as he would adjust his seat in order to pull his wallet from his back pocket.

My grandfather always seemed to wear the same clothes; I distinctly remember his plaid shirts that made him look like a scarecrow, a retired scarecrow of some sort; one still content to never use his legs. In fact, I only remember seeing him walk on his feet and away from his chair once: I was in the kitchen with my grandma when I heard someone come up the stairs. I went out the door and saw my grandpa walking up the stairs. I was surprised to see him walk, that he even could walk, that there actually was somewhere else he needed to be, just as he seemed to be surprised, and perhaps a bit disappointed, that I had seen him away from his chair. I remember that he looked up at me, smiled, and said, “Hey, How are you doing?”

The house was on the second floor. The first floor remained a mystery to me, like it didn’t even exist, similar to a home on the beach with stilts; you know there is something down below, but it doesn’t always feel real. The first floor was rented out to strangers, people I never came into contact with, though I remember seeing these people leave from the ground floor; I remember thinking how odd it was that a house was divided in two like such a way.

I remember the other rooms of the house: there was a dining room with a large table that was never used for dining. Instead my grandma kept her plants all over it. On the other side of the dining room was a very long cabinet table that was covered in framed photographs. The kitchen was the room one first entered from the stairs that led up from the ground floor, the sides of which seemed in conflict with each other. There was a window between the two sides that looked down on a driveway that was always empty since neither of my grandparents drove. Against the window was a table, and on the table was a big wooden birdcage with two small birds that my grandma kept.

From the kitchen one could walk down a corridor where there was a bathroom on the left. Ahead was my grandma’s room where she slept alone. I remember being confused over why her and my Papa didn’t sleep in the same room like my parents, indeed like all other adults I knew. Exiting my grandma’s room one could take a left and walk until one came to a room on one’s right and a room on one’s left; The room on the left was where me and my brother would play. There was a closet in this room where we would hide. If we were mischievous, my grandma would tell us that the closet led to hell, but we hid and played in it anyway. The room on the right from the corridor was my grandfather’s bedroom, which could be entered from two ends. The bedroom had no window that I can remember, and was extremely dark. It was a room that desperately cried out for light, but somehow found a way to be content without it. I remember doubting that my Papa even slept there; I don’t think he ever did.

How Much Can I Let Go?

Sitting in the airport, I hear an announcement: my plane will be delayed, and I have a connection to make with only an hour in between flights. I get up and begin pacing, wondering if I’ll make it, worrying if I’ll be on time. After a while it becomes clear I will not make my connection. I’m frustrated and a bit angry. Then I remember something; that it doesn’t matter; I have nowhere I really need to be, and no strict schedule I really need to follow; I’m traveling freely for the next year of my life without a set plan or a final destination, and it doesn’t matter.

As I write this there is a realization that I take great pleasure in constantly being able to recall; that I can live without expectations, anticipations, and any set plans concerning a future that is all my own; that freedom is a state of mind; that I don’t have to be concerned with where I go next, how I get there, and when that will be; that I don’t need to feel burdened by the expectations of society over starting a career, marrying a woman, and starting a family. These are liberating thoughts, but they have not been, and are not, always easy to embrace…

Some Poetry

You Must Be Beautiful

You must be beautiful

Lying on the bed

Staring in silence

Wondering

Trying to see what is right

Through your eyes

Though the attempt

Is costing them their light

You must be beautiful

You must make it through the night

You must plan a future

And stifle cries

Being scared

Contemplating love

Holding back feelings

Attempting a stand

Trying to trust

Oh, how you must

You must be beautiful

Blue-eyed Goddess

Blue-eyed Goddess

Soul enchanting

Brilliant sky

There I see you

Floating in light

To my eyes

On a wink

And make them shine with life

Or I’ll die without you

Blind

The Corner of a Room

How was I to know

I would find my whole world

In the corner of a room

By a closet, open door?

Mornings

In the morning

I shift

And sift through my thoughts

Adrift from the current

Of sleep and dead time.

On wing

The birds sound

And sing to my soul

To bring spirit to blend

The nuanced call

That blends strife with life.

The sun casts a light;

The sight,

Bright through itself

Right at that moment

Of knowing how what to be.

With a Look

With a look

You stir my unconscious

With a whisper

To a sound

From the depths deepening

To the world round and under

To the realm that births

The thunder you hear

To the clouds above that clothe you

Machine-gun Hands

Touching bullets and triggers

Pulling metal tempered steel

With palms together

Clutching fingers

Swollen hands

Dry scraped and scarred

And smoothed back again true

They would rather be soft and un-callused

Warm and smooth

Since that is more honest.

Having gripped cold

With frost that flew

As lightning

Back to life

Without holding my breath

Wielding weapons

From arm to barrel gone

With the sun’s reflection

Off the metal gleam

And into my eyes

That is enough

Being better at love:

I’ll always prefer touching a woman

To touching a machine

Another Part to Some Article That I’m Having Trouble Bringing Together

What seems important is to come to the conclusion, not that I am free to do anything I want, but that I am free. This distinction makes all the difference, and can easily account for how I have sat back at times, looking and thinking about all I have done, and felt it has not been enough, that something escapes me; that I have to discover instead of admire, accomplish instead of reflect, acquire instead of appreciate, and most fundamentally, do instead of be.

This distinction means the ability to find contentment is not a product of doing anything at all, but of being, and can explain how many successful people, whether materially wealthy, or skillfully accomplished end up discontented.

None of this rules out the desire to accomplish, to take on hobbies, or to achieve goals, but it reorients life so that one is not left constructing a sense of self from what one does, but from who one is. Perhaps only then does one truly accomplish; perhaps everything before that is just an over-compensation; someone else’s expectations; those of society, a parent, a culture; a lifestyle. Who, after all, when it is all said and done, are really, truly, and honestly doing what they want? – Almost no one…  I am.

Passage preview for an upcoming article…

A lot of people might say “Well, I have to prove it to myself.” But such a statement is nonsensical. There should be nothing a person needs to prove to his or her self unless this self is actually someone or something separate from who one is; in which case this self represents nothing other than an entity that one is alienated from. A person who is content with him or her self should have nothing it needs to prove to itself. Such a desire only reveals the sense in which a person has no sense of who he or she is, and where, this “myself” that one is attempting to prove something to represents nothing but a displaced form of something external, probably a parent, peer, or society as a whole….

Some Paragraphics

Hurry

Catch yourself in a rush, hurrying for no reason, trying to accomplish a task quickly and as fast as possible. Such speed is fine if you’re on a schedule, pressed for time, but there are those moments where there is absolutely no need to rush, and yet one continues to hurry and act impulsively out of habit; to complete a task only to be left with spare time that one has no idea what to do with anyway: Hurrying for the sake of hurrying with nothing to do after, rushing to save time that you will not know what to do with, time that will leave you bored from the feeling that there is nothing to do, though you just had something to do, but rushed through it; then the realization of it all… I would rather take my time.

Hating To Admit It

 A person says, “I hate to admit it but….” Followed by some kind of apology or confession that they were wrong and the other right. But why ‘hate’ admitting it? If one cared more about the truth of the matter at hand then one would love admitting it because the point was to get closer to the truth of the matter. But how much does the truth of the issue really matter? Isn’t it much more rewarding to be right?

Traffic Lights

I sit at a traffic light in my car. The light is red. I am anticipating the light turning green. I am anxious to get on my way; I’m heading straight. There are lights to the left and right of the light I have my eye fixed on. The light to the left is a light for cars that will be making a left hand turn. The light to the left turns green: a green arrow. For a split second I think it’s my green, the green that will allow me to continue, the green that has me taking my foot of the break for an instant, but it’s not. I have to keep sitting there.